This work originates from the creator's personal life experiences, beginning in 2020 with the passing of a loved one. Feeling deeply moved by the rapid transformation and disappearance of things around them, the creator initiated a series of daily scanning actions, exploring and capturing abandoned spaces, objects, and their own appearance. The process preserves a fragmented aesthetic in the scanned imagery. These materials are then constructed within a VR virtual environment, where software manipulation and real-time VR connectivity enable performers to wear VR headsets. Through bodily expressions and the integration of multiple screens in real-time, the work unfolds as an experimental process of bodily digitization, reimagining the relationship between humans and their virtual counterparts.

The project aims to envision a future method for preserving objects and memories through digital performing art. Using a narrative approach that oscillates between reality and the virtual realm, it guides the audience through sensory and visual experiences to explore the digital kingdom crafted by the creator. This exploration reveals the limitations of digital technology that remain beyond complete control, creating a dynamic tension where the physical body repeatedly adapts to and struggles with the virtual and real. It reflects on how, in the aftermath of loss, the void and fragments of memory can be used to reconstruct the beauty of time's passage in the digital age.